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I say this not so much because I believe he has a universal effect on anyone who understands or enjoys the movie. Jeff Bridges turns in a fantastic, despicably likable performance. And with that in mind, thinking outside the box along with Terry Gilliam and Richard LaGravanese, one shouldn't even think of the brief sporadic fantasies the film splashes at us here and there as anything so jolting. The story is just completely fresh and new. They are telling their vivid, dynamic story the way good films are made. The filmmakers show no ego and are not interested in impressing themselves. You'll realize how well it modestly unravels instead of contriving itself to mystify us. Think about this plot when you're watching the film. One has to think about The Fisher King and realize just how largely, outlandishly, scorchingly different it is.
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Things like this seem at once to throw the film out of balance a little bit, like the film is making a straight line and suddenly makes a sharp and brief stab upward, and then back down to continue the line in the straight way it was before. The Fisher King can be viewed as an oddball dramedy like several others during one's initial viewing, but then suddenly you're struck by the hallucinations of Robin Williams's character, namely the sight of the large, outlandish, scorching red figure of a demonic knight coming to kill him.
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